![]() Davidson the character is there, but in the background what a listener feels is dictated by the overpowering coldness and simplicity of the composition. Refrains of “Violence wins/ Over reason” and “We are all burning” in “Boulevard Taschereau” set a paradigm whereby Davidson as the self-disclosing raconteur is questioned and often drowned out by the immediacy of tone. My French isn’t perfect, but in the case of Un Autre Voyage, the purpose of Davidson’s bilingualism may be drawing internal conflict and scrambling hermeneutic codes. ![]() Davidson is a dreaming, sultry narrator on “Boulevard Taschereau,” who begins to doubt and panic with “Excès de vitesse” and reappears in a number of dark permutations throughout the rest of the album. On other tracks, these textures assume a different function, paired with Davidson’s simple and expressive lyricism. The whining, octave-skipping lead synth in the last two minutes of “Kidnap You in the Desert” and the pairing of a synth arpeggio with strobing percussion throughout “Insomnie” sound and feel like John Carpenter themes. Parts of Un Autre Voyage approach pure, uncomposed atmosphere. Is there another (an other, another other) voyage for me somewhere? I’m also interested in figuring out precisely what role I play in Davidson’s other voyage, if any. Still, I think this is far from a bare-bones catalog of subjectivity, and I think the notion of songs “based on true events” can be problematized. If Davidson’s “other voyage” is truth, or some version of it, which voyage preceded it? Maybe it’s just a coincidence that Davidson’s last album was called Perte d’identité (loss of identity), but maybe not, and even then, it’s a useful antithesis to the professed realness of Un Autre Voyage. "This album is about romance and a quest for meaning.“All songs based on true events.” The liner notes for Un Autre Voyage end with that simple assertion, which is also a challenge. Not only will she spin you a tale, but her music will immerse your soul in images of sweet anxiety. What you will be shown are the parts of yourself which you're scared and ashamed of, but also the ones that reveal a haunting and glamorous sensuality. In her premier full length album, she invites you to take a look in the peephole, revealing a fascinating cinematic picture. Meanwhile, her miraculously human electronic rhythms are as frantic and hypnotic as an intense stare. With this release, she refines her storytelling with suffocating tales that are both intimate and melancholic. Her voice is a stark half-spoken monotone which will tell you stories from which you can’t escape unchanged. ![]() Read Full Bio Perte d'identité, which translates to “loss of identity,” is the debut LP by composer, singer and poet Marie Davidson, one of the finest artists rising from the electronic dark-synth scene in Montreal. Perte d'identité, which translates to “loss of identity,” is the debut LP by composer, singer and poet Marie Davidson, one of the finest artists rising from the electronic dark-synth scene in Montreal.
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